Tag Archive | Thor

All-New, All-Different

While I fail to see the problem with the recent rash of changes Marvel has completed over the last year or more, you need look no further than the comments sections of just about any post on the internet announcing one of them to realize that there are some very vocal people out there who don’t really care for what’s going on.

It starts with a cry that these are marketing ploys; something akin to the Death of Superman in the sense that it won’t last too long and was only done to drum up new sales. I fail to see the problem from this angle as it’s the prerogative of a company to be successful. If that success means changing something, even briefly, to become more profitable, then that’s probably something the company should do. It’s just good business.

It continues with a cry that these marketing ploys are “pandering” to a more diverse audience to broaden Marvel’s readers. I also fail to see the problem here, aside from the use of the word “pandering”. Again, a successful business targets a broad base of consumers. Why be exclusionary? From a strict business standpoint, the more people you have reading your books the better.

After these two logical arguments have been presented as to the business of running a major comic label, detractors will continue their line of objection by stating that the changes to the characters in the story makes Marvel’s integrity questionable at best. That replacing beloved characters like Steve Rogers or Bruce Banner or the Odinson with equivalents such as Sam Wilson or Amadeus Cho or Jane Foster, respectively, does some sort of massive disservice to the story and the community at large.

Of course, the logical argument to this is that, if one actually reads the comics involved, then one would see that the replacements and changes are all integral to the story. Story is the important part, after all, and it wasn’t as if Steve or Bruce or even the Odin-born Thor were removed inexplicably from the Marvel Universe. They continue to exist. They continue to affect the ever-unfolding fabric of the Marvel Universe because they couldn’t just be brushed aside. Their story goes on though they might not get quite as much of the spotlight as they once did.

“Oh,” say the commenters, “But, we don’t want the all-new, all-different. We want more of the same.”

To these particular dissenters, I reply: Why? Steve Rogers has been around forever and, when he died briefly not too long ago, Bucky picked up the shield until Steve returned. There was even a period where Steve was just Captain Steve Rogers, letting Bucky continue with the Captain America moniker for a while longer. Not quite as many were upset with this. Steve’s story went on, Bucky’s story went on. The story allowed for this to happen.

We know why, though, don’t we? We know why the Sam Wilson handoff – even though it was perfectly in line with details of the story – didn’t pass as quietly. It had nothing to do with integrating mechanical wings into the stars-and-bars motif, either.

It’s the same reason that so much controversy was generated when a woman picked up the fallen Mjolnir after Thor Odinson was rendered unworthy. It’s also the same reason people are going insane that a Korean man (who has been a staple in the Marvel Universe for longer than most “fans” probably know) is slated to replace Bruce Banner.

It’s the same reason that Miles Morales freaked so many people out back in 2011.

When I was a kid, I grew up reading comics. My first love was the X-Men (followed shortly by Batman, but that is another blog entry).

I loved the X-Men because it was a team of people with crazy powers. All the characters had such different voices and looks. It was vibrant and different and some people looked practically inhuman (not a cross-reference). It was way different than watching reruns of Challenge of the Super Friends because not everyone was running around in a mask. They showed the X-Men at play as well as at work. There were actual inter-character relationships working there. It was intricate and engaging and not just good guys/bad guys because you had characters like Wolverine – the consummate anti-hero – and Magneto – the guy who was bad but not really but really but not really. You know what I mean.

No, I didn’t really have all these feelings when I was a kid because I didn’t know how to define them. As an adult, I can tell you about this with much more articulation. I liked the X-Men because they were all different.

The X-Men were all outcasts from society; sometimes because of their powers but, more often than not, because of their appearance. I related to them because I was in a similar predicament, growing up a different color from most of the kids around me. I was a pariah, I was looked at differently, and I always hoped I would find out someday that I was a mutant. Aside from Wolverine, my favorites were Beast and Nightcrawler because, out of the lineup at the time, they were the least human in appearance. Also because Beast was super smart and Nightcrawler could teleport (a power I coveted highly).

As I got older and the comic progressed, somewhere in my early teens, I related to the two of them even further. Nightcrawler had a crisis of faith and became a Catholic priest for a time (something that, until I was like 12, I had possibly considered) and later, Beast continuing to mutate into something more feline, getting further away from his humanity.

My point (before this backstory drags on any further) is that I loved the X-Men because they took in anyone. They gave a home to people who were dealing with some serious issues. I related to that because, as a weird, intelligent, brown kid in a white neighborhood, I never really felt like I fit in. It’s why I continued to read comics. It’s why I wanted to write. I realized because of the X-Men that there might be a hero out there who was like me.

Marvel expanding its universe to be inclusive is possibly the best thing they could have ever done. Introducing characters like Miles Morales and Kamala Khan… Elevating characters like Sam Wilson, Carol Danvers, Jane Foster, Amadeus Cho, and even Laura Kinney (that’s X-23 to you noobs)… This is what we need. The little kid reading three-month old issues of X-Men Classic about Wolverine and Storm (mainly) taking on the Brood – one of the first comics I ever owned – is cheering for the kids who are picking up the books now and finding heroes to whom they can directly relate – showing them that they can be super, too.

Purists will brush off this entire blog entry. I wonder, honestly, through the veil of anonymity that is the internet, why they call themselves “purists”.

A true comic book purist accepts canon as gospel. What the company says goes. If they say Steve Rogers had his serum stripped from him, then he has. If they say Bucky didn’t want to pick up the shield again, then he does not. If they say that Sam Wilson was next in line for the throne, then bow to your new king and STFU. A comic book purist would accept the changes and be excited about the directions the story will take from this point on.

Instead, these “purists” seem to be more concerned with the color of Sam’s skin and what it means that a strong Black character is holding the shield and bearing the mantle of Captain America. They get upset about the rumors that Peter Parker wants to retire from crime fighting to run his new company (which, admittedly, was built by Doc Ock as “Superior” Peter) and hand the role over to Miles Morales, a half-Black-half-Puerto Rican kid who has proven himself an amazing (not reference humor) Spider-Man in another universe. The rumor is that Banner will do the same (or be otherwise depowered), leaving room for Amadeus Cho to put on the purple pants of destiny.

“NO!” they scream, “You’re taking away our heroes for the sake of colorwashing the cast! You can’t just make all that history disappear!”

Colorwashing, by the way, is a despicable term. If you use this, please unfriend me and never come here again.

No one is taking anyone away. They are staying. No legacies have been eliminated. No timelines have been changed (well, unless you’re Spidey, then who knows). Their stories go on. And, as far as them not wanting to see action anymore, can you blame them? How many times has Peter Parker skirted death, caused the death of loved ones, cause property damage… how many more happy returns can there be? If someone else is capable, can’t he put down the power and the responsibility and let it be taken up by someone a little younger? Someone who has more of the drive? Hasn’t Peter deserved a little bit of the reward for all that risk over the years? Steve Rogers has been fighting for America since World War II. Can’t he have a little break where he’s not freaking dead?

Don’t even get me started on Banner…

The “All-New, All-Different” Marvel Universe, in my opinion, is shaping up to be fantastic. People will hate it. We know why. It is nice, however, to see one of the big comic labels recognizing that diversity is important. Not only does it allow the kid that I was see someone more like me being a superhero, but those kids like me will also read stories that are more relatable to their own lives.

DC has miles to go before they can even think of catching up. In fact, if DC did something similar now, THAT would be the real disingenuous pandering marketing ploy.

Keep making mine Marvel. Marvel, please keep making Marvel ours.

Keep fighting the good fight.

—end transmission—

Bidula’s Last Word – The Avengers

Paramount did everything right.

They plotted The Avengers out to be the greatest comic book movie of all-time, and they made every single step carefully yet confidently. In an era where it seems that the studios are simply throwing crap at the screen and hoping it will stick for a few weeks, it is truly refreshing to know that, at the very least, Paramount is willing to make a long-term investment in good blockbuster cinema long enough to see it pay off.
From the word go, I knew this was going to work. When Iron Man came out and Robert Downey Jr. just dominated the screen, I felt a change in the wind. I felt that, down the road, awesome was coming – awesome which, at the time, was a whispered rumor of an Avengers movie.
The first statement I made was that they would have to do all the major players in their own movies first because there would be no way to squeeze all those origin stories into one movie. At least not for the big three (Thor, Cap, and Tony). Slowly, dots were connected. A mention of Stark Industries here, a cameo by Tony there, an Agent Coulson here, a Nick Fury there… everything leading up to this point.

Of course, it had massive potential to bomb. The performance of the Avengers movie to collective geekdom would either sound a triumphant call that Hollywood could make a comeback or could condemn it for generations to come.

The scope of it was unprecedented. It would be the first of its kind. A cast of characters drawn from separate films into the same story, uniting as they always should.

And, it was flawlessly executed.

Joss Whedon is a complete genius. His writing and directing only serves to the goal of the Marvel Cinematic Universe. He has his own vision in this movie, but he smartly remains within the parameters of the established films before it. Every character has their own unique voice that we have seen before.

No one acts out of character. They are all written perfectly as defined by their original movie. Tony Stark is still a wise-ass genius, Steve Rogers is still an idealist somewhat trapped in the past, Thor is still… well… Thor. You immediately feel that this is the ideal intersection of all the films which came before and time is not wasted in things like introductions or origin stories. This movie is the penultimate sequel. It is the one that all the others have been slowly working towards and the story takes full advantage of that by thrusting you right into the middle of the action.

You see the in-fighting – the conflict from so many extreme personalities in the same room – but you also see the unity within the group and, for once, Hollywood doesn’t smash it all together and hope it makes sense. Things feel natural in a way that they never have in that sort of group-of-misfits-bands-together situation. This is a huge credit to Whedon as a writer/director. He put all the puzzle pieces together and did everything right.

There are so many amazing points to this movie, but I don’t feel I can talk about them. I don’t want to spoil one second of anything for you and it’s far too in-depth to give a synopsis. A few talking points:

– Agent Maria Hill shows up, big shout-out to the geeks who’ve been following since Civil War.
– Mark Ruffalo’s Banner/Hulk stands up almost better than if Ed Norton had been left with the role.
– You get to see the best of every hero in the fight scenes. Not one signature move or gadget is left out.
– Mentions of or cameos by most of the more main characters in the previous films. It’s the little details that get me.
– Hulk vs. Loki

And, for the love of God, if you have any geek cred or comic book knowledge, stay for the scene at the end… It’s a HUGE setup for Avengers 2 and if that movie is HALF as awesome as this one was, we are going to be some very happy nerds. Let’s just say that A2 will probably involve a very fancy glove and I ain’t talking the reanimated corpse of Michael Jackson.

Bidula’s Last Word – 11/10. It broke my rating system. This movie exceeded every possible expectation I ever had. You must see this movie. But, if you haven’t, do the homework and watch the others, too. It’ll be worth your time.

Keep fighting the good fight.

—end transmission—

Some Assembly Required

Thank you, Paramount Pictures.

Thank you for helping childhood dreams to come true in such incredibly awesome ways.

It’s not very often an entire studio gets that kind of praise from me. It’s not very often that said praise is pre-emptive to the completed project. But, if things keep going the way they are, that praise will be fully deserved. For the task of taking such a mammoth project and getting to the half-way point, they deserve a lot of credit. Most studios would have given up by now. Most studios would have had a true bomb by now. But, something in the cards is right with Paramount. They’re allowing their directors the freedom to do what they want while discussing with the intellectual property managers as to how exactly things need to go down to accomplish the end goal.

I know some of you may be skeptical. This is natural. Open yourself up to the clues around you and tell me it’s not going to be incredible.

Seeing Iron Man 2 made clear that Marvel Studios, with the help of Paramount, is really in this thing for the long haul.

The Avengers movie is going to happen and it’s going to be done well.

If you haven’t seen any of the Paramount/Marvel movies (Iron Man 1 & 2 or the Ed Norton Incredible Hulk) and you’re a comic book fan of any magnitude, shame on you. The Iron Man movies are both absolutely fantastic (Bidula’s Last Word on IM2 – 9/10) and The Incredible Hulk was a much better attempt than Ang Lee’s Y2K disaster.
Once, a friend and I were discussing what it would take to make a proper Avengers movie. I said they could never do it because it would take far too much effort and pliability on behalf of too many people. I told him, if they were to do it, the whole project would have to be under the same banner and be many movies long. I said that it would probably take five to seven years to actually accomplish. I also established three conditions which would make the perfect Avengers movie possible. They seemed unattainable at first.

1. Solid actors and directors would have to be signed to multiple movies and committed to the end project.
Done. Every single character who will make an appearance in the Avengers movie will be the same actor who portrayed them in their individual movies (except for whats-his-name that used to play War Machine but got Don Cheadle’d). Sam Jackson signed a ridiculous contract to appear in nine (count ‘em, nine) movies up to and through The Avengers (5/4/2012, mark your calendars) reprising his role as Nick Fury.
Other than Sammy J, Cheadle and Robert Downey Jr. are in. Ed Norton is in (as Banner/Hulk). Scarlett Johannson (Black Widow) is in. Chris Evans and Chris Hemsworth are in (as Captain America and Thor, respectively).
And, for the behind the scenes staff of the Big Show? Producer: Jon Favreau. And, this one’s for the fanboys… Director: Joss Whedon. Paramount knows what they’re doing.

2. Schedule the movies for release in an order that makes sense to the nerds on the street while making sure it makes sense to the general audiences at the same time.
Done. Iron Man lead up to the Hulk lead up to Iron Man 2 which leads into Thor which will, more than likely, lead in to Captain America: The First Avenger. They’re also exposing more of S.H.I.E.L.D. and what they are as things move along.
The tempo at which they’re introducing new characters and sub-plots are perfectly suited for movie viewers and will (hopefully) allow them to follow the new continuity with the knowledge of a passable comics fan if not the outright fervor of a full-scale nerd.
That’s right, folks. Hollywood is turning you all into comic book geeks. Mwa ha ha.

3. Do right by the fans.
Done. At least, in this reader’s opinion. Sure, it’s not the same stuff verbatim, but you have to respect the fact that they’re crafting a whole new universe on film and that they’re dedicated to the idea that the Avengers films are, indeed, their own universe. They’re trying to keep them as close to 616 as possible without needing to make a 3+ hour movie. Some details you just have to lose.
Look at this: A StarkTech logo on a cryo-tube full of the super-soldier serum that made Captain America in the Hulk movie. That’s two different shout outs in one plot-relevant easter egg. Expertly done. Also, the other Cap shout out in Iron Man 2 was pretty damn funny. I won’t spoil it for you.
Nick Fury and S.H.I.E.L.D. being used as sort of a binding agent through everything is also great. It keeps the movies flowing toward that ultimate goal without stifling the individual movies with cross-contamination. Yes, Tony Stark did appear in the after-credits of the Incredible Hulk and yes, M****** (or T**** H*****) did appear in the after-credits of Iron Man 2, but it’s not overbearing. It’s just oil to keep that big machine moving toward the finish line.

I am not here to guarantee the success of the Avengers movie, but things are certainly looking up. They’re taking their time and they’re doing it right the whole way around.

For once, I am optimistic about what Hollywood’s got cooking.

Here’s hoping they don’t fuck it all up in a few months.

Keep fighting the good fight.

—end transmission—